If you’d like to try an alternative to classic porcelain, then Tonda is the perfect complement to your home.

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If you'd like to try an alternative to classic porcelain, then Tonda is the perfect complement to your home.

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Emile Galle Trumpet Flower French Cameo Art Nouveau Vase

$1,760.00

Category:

Out of stock

Description

Gallé Overlay glass trumpet flower vase, circa 1900 wow! The reds on this vase pop out and the fine carving and cameo work is amongst the best I’ve seen from Galle. This vase will not last and will make a great addition to the most discerning collector! Signed in cameo: Gallé

Measures: Height 6.5 inches (16.5 cm) Width 4 inches Depth 3.25 inches

Condition: Excellent with wear commensurate of age and use.

Emile galle was the son of a faience and furniture manufacturer and studied philosophy, botany, and drawing in his youth. He later learned glassmaking at Meisenthal and came to work at his father’s factory in Nancy following the Franco-Prussian War. His early work was executed using clear glass decorated with enamel, but he soon turned to an original style featuring heavy, opaque glass carved or etched with plant motifs, often in two or more colours as cameo glass. His friend and patron Robert de Montesquiou sent him to Bayreuth with a recommendation to Cosima Wagner, which led to a great enthusiasm for Parsifal. In 1875, he married Henriette Grimm (1848-1914). In 1877, he then assumed his father’s role as director of the Maison Gallé-Reinemer. In that same year, he was elected Secretary-General for the Société centrale d’horticulture de Nancy.

His career took off after his work received praise at the Paris Exhibition of 1878. Within a decade of another successful showing at the Paris Exhibition of 1889, Gallé had reached international fame and his style, with its emphasis on naturalism and floral motifs, was at the forefront of the emerging Art Nouveau movement.

He continued to incorporate experimental techniques into his work, such as metallic foils and air bubbles, and also revitalized the glass industry by establishing a workshop to mass-produce his, and other artists’, designs. The factory would employ 300 workers and artisans at its height, including the notable glassmaker Eugène Rosseau, and remained in operation until 1936.

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